All I Can See is Myself
&
3 More
Beautiful Poems
by Jennifer Patino
mass consciousness
insists I face
my traumas
but when I look
at them
I relive them
in your stories
I see faces
of monsters
I can still feel
in my teeth
they pop up
due to the
elusive algorithm,
‘someone I might know’,
then sneak
into my dreams
so I wake up
shuddering
I might be
getting old
& I have no
good advice
for the youth,
because not
much has changed
for me,
having
grown old
by circumstance
I was ‘too young’
to have
experienced
‘keep going’,
I’ll say,
it’s possible
with a lot of
weight on your back
a broken heart
still ticks
even if
you can’t feel it
don’t stress
about all
you can’t forget
because aren’t you
tired of being
forced to do
so much?
if you can’t
control much
at least
grab hold
of every day
you’ve survived
until the next one,
& the next one,
don’t lose count
of what you
can count on,
don’t lose sight
of who is
still there
once the fire’s
been put out
& the smoke clears
mother with a bottle opener,
ice crackling in summer
there’s weight in the air
& some night bugs
attracted by
the tension
land only to be
slapped, the humid
sound of bare flesh
ridding itself
from pests
mother’s calling
my father to tell him
she can’t handle
her fears — these bugs
in this new place
are monstrous
& they take flight —
these children
are restless
& hate it here
no, i’m not alright
mother’s bought
a new dress
& we present
our school supply lists
which she throws away
like unnecessary receipts
there’s no evidence
of our existence anywhere
we make sure of it
mother with a bottle opener,
still waiting for a phone call
we’re all in hiding
because it seems
she’s sprouted
new antennae
& there are thuds now,
heavy stomps on the deck
slithering critters
& cancerous squealing
mother’s eating
the swamp strays,
crushing the cordless
in father’s work boots
because
it’s all not working anyway
to this I am impartial:
she’s buttering blame
on her morning bread
before force-feeding
her babies a shot
of truth, her misinformed
notion in food form
slicing pieces
of vanity & pride,
squashing any
sense of self-appreciation
before it festers into sin
we remain thin,
sleeves of saltines
chewed 48 times
before dissolving
into a reflection
we’ll never be able to trust
she spits compliments,
venomous, half-handed,
back-handed critique,
stinging
(it leaves a mark)
we can’t scrub our bodies
away, mold or shape them
into more pleasing
shapes for her
her voice
grates like a stuck zipper,
bobs like a scale pointer,
fluctuates, like moods
& weather patterns
all those antonyms
for beautiful, for perfect,
for love — they’re welts
on our stretched skin
but she never gave them,
no,
we etched them
into ourselves, stitched
the holes, filled them
with other lies
& loathed who looks back
at us from the other side
upon my incarnation
as a sapling
on the forbidden planet,
I tried to blend in
with the pale ones,
but my cheekbones
& my view on life
always gave me away
tall flowers, stalkish,
lily-white & commanding
pitied me as a cinder
girl, different somehow,
foreign, interesting,
& the dreaded exotic
their questions were framed
to entrap me, to get me
to speak out against
their kind so they could
civilize me, refrain me
from being who I was born to be
I grew a little, learned
the word ‘colonization’,
& regretted my attempts
to fit myself into
their puzzle that I was
always slightly unfit for
I became my own enigma,
a wonderment, a guessing game,
made to feel ashamed
for being too much
or not enough
I can’t win if I’m not playing,
if my soul struggles
with simply existing
in this skin, this mind,
this placement, this time,
this earth whose heart
beats along with mine
I’m not ready
to settle in
as a mighty tree,
claiming my stake
& my ground, my
homestead, my
way to be, my
— my, my, my —
I own nothing,
they want me dead
for my rejections
of their rules,
they scoff at my
beliefs & my
worship tools
I smile when afraid,
laugh to escape
their knife tongues,
wrung out by
middle age, hiding
bundles of sacred white sage
before I too
am endangered,
before I’m wiped out
of their orbits,
before I’m a dust stain
in a revisionist
history book,
or in a glass box
in a museum, stuffed
with eagle feathers,
a rare anomaly
for all to have a look

Jennifer Patino is an LCO Ojibwe poet residing in Las Vegas. She has had work published both online and in print with publications such as The Ginger Collect, Half Mystic Press, L’Éphémère Review, A Cornered Gurl, Font Magazine, The Chamber Magazine, Briefly Write, and Door is A Jar. You can visit her blog at www.thistlethoughts.com.
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